Out Gallivanting: Glasgow School of Art Graduate Degree Show

So last weekend was busy! Out Gallivanting again on Sunday (3 September). This time just a short train journey to Glasgow to see the Glasgow School of Art Graduate Degree Show.

I’ve been fortunate over the last few months to meet Anna Tüdos and Gina Lundy both studying for Masters degrees at Glasgow School of Art. Their respective work is thought provoking and crucially focuses on women, their experiences and history. Both have created and curated works that are visually striking too.

Anna has been studying for a MLitt in Curatorial Practice with an emphasis on Contemporary Art and she is particularly interested in exploring hidden histories and under represented issues often through unconventional ways of mediating art. I first met Anna when she was working with Kinning Park Complex to mark the 21st anniversary of the sit-in which saved the then community centre from closure. Anna curated a series of events entitled ‘March On:  A celebration of the power of collective voice‘ which included a parade with specially commissioned banners by Greer Pester influenced by the area’s history and specifically drawing on a talk given by Sue Rawcliffe, a PhD researcher at the University of Strathclyde on the Kinning Park Cooperative Women’s Guild (the first in Scotland and prominent in the Rent Strike of 1915). Women continued to be prominent in community protest in the area including the sit-in of 1996. Anastasia Rice‘s ‘All Welcome’ banner, created for the sit-in, and featuring the work of 25 women, was installed as part of Anna’s week long exhibition. Gorbals and Laurieston Cooperative Women’s Guild Branch banner also featured for one day only on the 16th of July, generously supported by Fiona Hughes social history curator and Helen Hughes textiles conservator from Glasgow Life.

For the degree show Anna has installed Greer’s banner along with a video of the parade (produced by Jarvis Gray Films).

Both give a real sense of the energy of the people who use Kinning Park Complex, of the community that has been maintained as a result of collective action and of the importance of the area’s history in shaping current projects. While I missed the parade back in July, having attended other events at the Complex, I think Anna has really captured the spirit of the area and it’s history in her curatorial work. The girls liked it too, especially the end of the film when everybody cheered and the fact that that they could bring home a free poster.


I met Gina only over a week ago at the Q&A for Dispossession at the Glasgow Film Theatre, in which her work features prominently. Gina is a (Glasgow based) photographer who has been creating work around social housing in London since 2010. Since moving to Glasgow two years ago she’s been creating research into women’s voices within the current housing crisis through interviews with resident campaigners and protest groups. She’s also been studying for a MRes in Creative Practices. Gina is particularly interested in the disproportionate impact of austerity cuts on women.

Gina’s work draws upon women’s personal histories and their activism when their homes, neighbourhoods and communities are under threat. There are many parallels to be drawn with similar action taken by women in the past, again the 1915 rent strike comes to mind, as does the campaigns against dampness in council housing in the 1970s, the poll tax in the early 1990s and more recently the bedroom tax. Grassroots campaigns by women are everywhere in our history when we think of threatened school closures; funding cuts to public services such as libraries and maternity units; and demands for improved housing conditons.

Gina uses women’s own words in her work, we are hearing their thoughts and feelings and this is very powerful. Similarly many of the women who were photographed for the project are ‘hidden’ in images only to be revealed from another angle, symbolic of the way in which women’s voices can be marginalised in debates around housing redevelopment at a national level. Yet through Gina’s work we see them and hear their voices.

We were all very impressed by Gina’s work.


You can see more of Anna’s work on the GSA flickr account and can find out more about Gina’s project ‘Fantastic New Community’ and her other work on her website


Valerie Wright (University of Glasgow)

Out Gallivanting: Speaking Out Celebration Conference

Saturday (2nd September 2017) was a lovely day for a trip to Dundee (it’s always sunny in Dundee!)

It was an early start from Glasgow, but we didn’t mind as we were heading to celebrate all of the great work that has been achieved by the volunteers and staff at Speaking Out, the ongoing oral history project to record the history of Women’s Aid throughout Scotland over the last 40 plus years. And there is a lot to celebrate!


© Glasgow Women’s Library, Scottish Women’s Aid Archive

The day opened with the Dundee Women’s Aid choir welcoming us to the Steeple, a lovely venue at the heart of the city centre,

Marsha Scott of Scottish Women’s Aid then provided a short welcome and introduction, then Lesley Orr explained how the Speaking Out project had come about and underlined the need to record the history of the Women’s Aid movement given it’s significance as a crucial social movement in Scotland. As always Lesley’s words were inspiring!

As were the words of the pioneers of the movement in Scotland. Such women, working voluntarily to help each other were ‘Rocking the Status Quo’:

Our very own Hannah Telling was up next to discuss the longevity of inaccurate discourses of violence against women which have regularly portrayed perpetrators as working class and survivors as provoking violence. The continuation of such myths from the nineteenth century to the present day was striking. But as Hannah concluded Scottish Women’s Aid have actively challenged these discourses by opposing violence against women in all forms and by providing support and practical help for women of all backgrounds throughout Scotland since the early 1970s. Important work which they continue to do today.

Before lunch we attended a break-out session on the making of the Speaking Out film which features clips of some of the women interviewed for the project, both workers in refuges and service users. Sarah Browne underlined the importance of sensitive training in oral history interviewing. The dedication and professionalism of all of the volunteers, as well as the Speaking Out team, has resulted in a unique resource for researchers, students and for the Women’s Aid movement itself.

After lunch we had an energising performance of poetry from Mridul Wadhwa which was another highlight of the day.

Then we attended another break out session in which we learned about the Scottish Women’s Aid archive at Glasgow Women’s Library where the project archivists Elizabeth O’Brien and Nicola Maksymuik  told us about the collection and volunteer Yvonne McFadden shared her experience of working on comprehensively cateloguing the newspaper clippings collection. Yvonne explained that it could be emotional work which would often make her angry given the portrayal of survivors of violence as ‘asking for it’. However, while the continuities could be depressing, the work to combat violence against women as evidenced in the newspaper clippings was energising too. The database that Elizabeth, Nicola and Yvonne have been working on will soon be available on the Glasgow Women’s Library online catelogue.

We then heard from the volunteer panel of Dot Aidulis, Yvonne McFadden and Morag Allan Campbell who shared their experience of volunteering in various capacities in the Speaking Out project. Yvonne, a historian and researcher, spoke of how working on Speaking Out has re-ignited her interest in history and led to new friendships and experiences she wouldn’t have had otherwise. For Morag, volunteering on Speaking Out while making the transition from full-time office work to PhD research, has given her confidence and strength.

Dot spoke eloquently and powerfully of her experience as a service user, of hearing about the Speaking Out project at another event and of approaching the team to take part. She spoke of coming across a small leaflet for women’s aid while living with her abusive partner. This ‘planted a seed’ and made her aware of a whole support system out there that could help her. That feeling built up and was instrumental in helping her to  find the courage and confidence to leave. Dot called Women’s Aid soon after she got to Glasgow and has received great practical and emotional support over the years. For Dot the power of Women’s Aid was in telling her story and being believed. Dot has achieved so much in her life, before and after living with her ex partner. It was truly inspiring and very emotional to hear her talk of her pride in participating in committees in the Scottish Parliament discussing violence against women. I’m glad that we have Dot advocating for women in Scotland! I’m glad that all of the volunteers in Speaking Out have given their time, expertise and knowledge to such a worthy and truly collaborative project.

The day ended with a rousing and thought provoking talk from Lesley Riddoch on the importance of doing politics differently and the need for local power which would increase women’s participation. She suggested we needed a reordering of society to prioritise the average rather than the elites. The effectiveness of grassroots social movements like Scottish Women’s Aid in making women’s voices heard was crucial in establishing such local power for everyone. Lesley certainly gave us lots to think about.


Women’s History Scotland is a partner in the project along with the Glasgow Women’s Library and the Centre for Gender History at the University of Glasgow.

If you’d like to know more about the history of, and contemporary, campaigns against violence against women in Scotland see:

And if you’d like to learn more why not participate in Strathclyde University’s Massive Open Online Course ‘Understanding Violence Against Women’ where you’d be learning with Roisin McGoldrick and Anni Donaldson

 

Out Gallivanting: ‘1745’ and Glasgow Slavery Remembrance

Last Thursday night (24th August) the Kinning Park Complex‘s weekly Community Meal took the form of a special event to mark UNESCO‘s designated ‘International Day for the Remembrance of the Slave Trade and its Abolition’. Organised by poet and author Kate Tough, this was a thought provoking and energising evening of lovely food (provided by Küche), good company and interesting discussion.

© 1745 film (https://www.edfilmfest.org.uk/2017/1745)

However the highlight for me was the acclaimed short film ‘1745‘, which is about two enslaved sisters escaping into the Scottish wilderness against the back drop of other well known events in Scottish history. Sisters , and  play the lead roles and their performances are excellent. It is a haunting and evocative portrayal of what life may have been like for the African women captured, enslaved and forced to work in grand houses in Scotland in the eighteenth century. Their reasons for taking the risk of escaping their oppression are made all to clear. I hope Morayo and Moyo are successful in their indiegogo campaign to fund a full length feature. This is very much a story that needs to be told.

The University of Glasgow’s ‘Runaway Slaves‘ research project were advisers to the filmmakers and Nelson Mundell was present with Zandra Yeaman of the Coalition of Racial Equality and Rights to lead the discussion following the film along with Kate.


Over recent weeks there has been increasing discussion of Glasgow’s historic connections to the slave trade and the legacy of this for the city. This is not surprising given events in the United States relating to the removal of confederate monuments and the resulting backlash from white supremacists.

Glasgow’s eighteenth-century built environment and architecture was shaped by Tobacco Lords and West India merchants, in what is now rebranded the Merchant City’. This was paid for by the wealth generated by the trade in enslaved Africans and the products of their labour. Similarly Glasgow’s cotton industry had a direct link with the plantations in North America. Industries throughout Scotland were developed in the 19th Century by industrialists and capitalists who had made their fortunes not only through their own entrepreneurial endeavours, but through speculative investments in Sugar and Cotton. Glasgow is not alone in this. Cities and towns throughout Scotland benefited from the money made by individuals through ownership and investment in slave plantations.

For some commentators Scotland is yet to come to terms with this legacy given the lack of permanent exhibition space or a museum to acknowledge the role of slavery in the nation’s development. However for others, acknowledgement of Glasgow’s and Scotland’s prominent role in the accumulation of wealth from the trading in captured and enslaved Africans is well on its way to becoming mainstream and a well-known part of the city’s and nation’s history.

Discussions are ongoing and will continue in Glasgow and beyond with a series of events in the next few months.

If you are interested in finding out more about the legacy of slavery in Glasgow see:

Stephen Mullen‘s It Wisnae Us The Truth About Glasgow and Slavery (The Coalition for Racial Equality and Rights worked with the Royal Incorporation of Architects in Scotland (RIAS) to launch this publication detailing the true role of Glasgow in the trans Atlantic slave trade)

University of Glasgow research project – Runaway Slaves in Britain: bondage, freedom and race in the eighteenth century

For more information on upcoming events in Glasgow and beyond see:

Black History Month – for listings see http://www.crer.scot/black-history and http://www.blackhistorymonth.org.uk/listings/region/scotland/

Africa in Motion (AiM) film festival

Kate Tough’s website where you’ll find details about Glasgow Slavery Remembrance

News & Events

Out Gallivanting – ‘Scotland’s Far North’ and ‘Lost Glasgow’

This month in Glasgow there are two photography exhibitions which are a must see for anyone interested in the Highlands and Islands of Scotland in the 1970s and for those of us who love Lost Glasgow on facebook.

So on Saturday I dragged my wee one along and saw the two exhibits in one day:

First, ‘Scotland’s Far North’ which is currently on at Streetlevel Photoworks and includes the work of three photographers Chick Chalmers, Tom Kidd and Glyn Satterley.

 

Streetlevel describe the exhibition as follows:

These three bodies of work from the late 1970s provide a unique insight into Scotlandʼs remote landscape, islands and people. Glyn Satterleyʼs series presents a document of life in the neglected area of Caithness and Sutherland at a time when the myth was much banded about that the oil industry brought wealth and prosperity to the whole of Scotland. Chick Chalmers ʻOrkneyʼ project and Tom Kiddʼs ʻShetlandʼ both present fascinating photographic insights of these island archipelago’s at a time of change with the effects of the oil industry on the traditional life of these cultures. Candid and sympathetic, the images show that Scotlandʼs Far North managed to take its place in the modern world without losing too many of the customs and traditions which give these places their special character and ethos.

For me this exhibition really challenges the stereotypical images of the Highlands and Islands. Yes there are sheep, fishermen, farmers and scenery, but there is so much more – we see the everyday working lives from women putting together the local paper by hand (above © Glyn Satterley), tattie picking, weaving, men washing windows and arguing in pubs. We also see the annual events such as Stromness Shopping Week fancy dress parade, the yard of ale competition and my favourite the ‘tossing the broom’ competition. I also liked the domestic scenes such as ‘John and Jeanie with pet lamb’ (above © Tom Kidd) or Fay and her son, described as ‘incomers’ on Sanday (below)

‘Roadside Graffiti, north of Scourie, Sutherland’ is also interesting (above © Glyn Satterley ).

But I think the image that made me think the most was this one

The caption read

‘Because she committed suicide, a 24 year old girl was rejected by both parishes on Hoy and consequently buried on the parish border in an out-of-the-way place. The 90 year old grave is attended by a sympathetic visitor’.

I wondered how widespread this practice was. As a historian of the twentieth century I have no idea how taboo suicide was in the nineteenth century in Orkney, though I can imagine. I’ll need to find out.

My daughter Caroline’s favourite was this one:

After I’d read the caption to her –  ‘North Ronaldsay has a unique breed of sheep which live outside a dyke built around the island. They eat mainly seaweed’ – she said ‘I’ll call him Ronald, take a photo so I can show Ronald to Dad’. So that cheered me up after the previous image.


Then we went off to see the ‘Lost Glasgow: More than just memories‘ exhibition at the Glasgow City Heritage Trust . Although I’d seen some of the images on the facebook page, the highlight was that you could pick up the pictures of the rails to read the captions. Caroline in particular really loved this, and although it was busy we still had a chance to see all the photos.

Our joint favourite was this one of the wee girls making clothes for their dolls (© Daily Record).

Norrie, who runs Lost Glasgow, was also on hand to have a wee chat. He has been enjoying how many people have recognised relatives and friends in the old photos of the city and all the stories he’s been hearing.


If you’ve not had a chance to visit either exhibition you still have time:

‘Scotland’s Far North’ runs until 27th August

Lost Glasgow‘ runs until the 30 August

 

Valerie Wright (University of Glasgow)

Out Gallivanting – Researching women’s history with Aberdeen Women’s Alliance

Aberdeen Women’s Alliance organises workshops on researching women’s history.   These workshops are aimed at the general public, who might not know what sources are available to those with no formal research experience.  Yesterday (22 Feb 2017) archivist Fiona Musk displayed a range of items from the NHS Grampian archive from the C18th to the mid C20th, including registers of nurses and patients , photographs,  rules for student nurses,  and minute books.

Fiona had presented a similar workshop two years ago, but I had missed it. I was determined not to miss this one.  AWA have campaigned for a plaque to Maggie Myles, internationally known author of “Textbook for Midwives” and so we were particularly interested to see the Staff Register entry for Myles.  (Aberdeen City Council has approved the plaque which should be in place within the next couple of months).

Personally, I was surprised and intrigued by the earliest item, a minute book of 1742 detailing the appointment of Isobel Strachan to a post at Aberdeen Infirmary:

An album of photographs of nurses and their patients at Aberdeen Children’s Hospital gave a vivid impression of late C19th care:

My favourite item, however, was the register of admissions to Cornhill Lunatic Asylum:

Causes of insanity included many cases of “disappointment in love” and several “disappointment in Marriage.”  It was pleasing to note that those disappointed in love tended to recover.  Family quarrels, religious doubts, bereavements and excessive tea drinking  all helped fill the female wards.  I was intrigued to see entries for at least two schoolmistresses,  Catherine McAllan, aged 57, and Catherine Warden, aged 46.  I intend to follow these up.   One gendered difference in causes of insanity, we were told, was that “masturbation” was given as a cause only in male admissions!

Alison T McCall

Out Gallivanting – ‘Cutting a Rug’

Image ©John Byrne

On Saturday afternoon I went to see John Byrne’s ‘Cutting a Rug’ at the Citizens Theatre in Glasgow.

The Second Part of Byrne’s ‘Slab Boys’ Trilogy it is set on the night of the ‘staffie’ in Paisley Town Hall in 1957.

As the production website states:

John Byrne’s funny and poignant Slab Boys trilogy paints a vivid picture of the tough, rebellious, working-class culture of 1950s industrial Scotland.

It’s a culture that is largely glossed over in histories of twentieth century Scotland, which Hamish Fraser describes as a ‘tranquil’ decade. Well not for the characters in this play!

Louise McCarthy and Mark Barrett in Cuttin' A Rug. Photo by Tim Morozzo

Although the action focuses on Phil, Spanky and Hector, the female characters are far from two dimensional. We’ve got Lucile and Bernadette, who’ve been jealously fighting over everything since primary school. They are ‘best friends’ who ‘can’t stand each other’. There’s Sadie the tea lady who has a hard life and the latest indignity was being offered the chance of a wee extra job doing a ‘bit of light dusting’ by a wealthy resident ‘up the terrace’, work that she suggests put her own mother in an early grave. Finally there’s Mrs Walkinshaw ‘a maiden lady’ from ‘up the terrace’ who has it no easier looking after her ageing mother and spends the evening at the staff dance drinking too much and thinking of what might have been.

The portrayal of the male characters is well rounded too. For the teenagers Phil, Spanky, Hector, Terry and Alan – it’s all about what it means to be a man, how you should act and what you’re going to become.

Phil has his drawing and hopes of Art School and Spanky, well as he says at the end of the play:

“I’M NINETEEN WITH A WARDROBE FULL OF CLOTHES… I’VE GOT EVERYTHING TO LIVE FOR!”

For more information see: http://www.citz.co.uk/whatson/info/cuttin_a_rug/

It’s on till the 5 March – and I’d wholeheartedly recommend a wee journey to 1950s Paisley  (but as a Buddy I am biased)

Valerie Wright (University of Glasgow)

Out gallivanting – Larry Herman, Street Level Photoworks

Another month, another excellent photographic exhibition in Glasgow.

A couple of weeks ago I was in Glasgow city centre and thought I’d pop in to see Larry Herman’s ‘Clydeside 1974-76‘ at Street Level Photoworks. I’d seen this photograph of children on the roundabout by Red Road high flats and thought I’d see if there any more images of high rise (I’m currently working on a project entitled ‘Housing, Everyday Life and Wellbeing over the long term: Glasgow 1950-75‘ which considers people’s experiences of living in high rise flats in the city).

© Larry Herman: Red Road Flats, Glasgow

Chatting to the attendant resulted in me becoming ‘visitor of the day‘!

But really the highlight was the diverse images displayed and the quality of Herman’s photography. Just about all aspects of life feature; work, home and play. There’s everything from men working in the ship yards of the Clyde, and not just Glasgow but Greenock too, the coal fields of Lanarkshire and outside Chrysler car factory in Linwood. We see women at work in factories, building sites and their homes. There’s also photographs of community groups compiling local newsletters and trade union meetings and much more too.

Many images stick in my mind but this is my favourite. When we think of women’s role in the textiles industry in Scotland we might first think of Dundee jute workers or Paisley mill girls, but the story of the thousands of women who worked in machining factories running up everything from car seat covers to clothes has yet to be told.

If you’ve not been along already, I would highly recommend a visit – the exhibition is on until 27th of November.

Valerie Wright (University of Glasgow)

Out Gallivanting – Eilidh Macrae at the Netball Scotland Annual Conference

A few weeks ago I attended the first annual Netball Scotland Conference at the fabulous ‘Oriam: Scotland’s Sports performance Centre’ based at Heriot-Watt University, Edinburgh

.netball-scotland-annual-confernce-1

Given my position as lecturer in sport development at the University of the West of Scotland, and with my research focus on gender and sport, I’d been invited along to this conference to sit on an expert panel. The issue up for discussion was the future of netball in this Scottish setting, and specifically how to make netball the first choice sport for women and girls in Scotland.

This prompted a fascinating discussion led by the panel and the Netballl Scotland CEO Claire Nelson.  The delegates in the audience helped shape the discussion through their own experiences in netball, as they were all individuals active in the sport from grassroots through to elite level.

The types of events I usually attend are general sport policy or sport history conferences, both of which tend to have only a minority of female delegates, so it was refreshing to come to this event. This was such an inspiring conference environment where the majority of people in the room were experts in their sport and were having a real impact on sport in Scotland, and they were almost all women.

netball-scotland-annual-confernce-2

Netball is thriving as a sport in Scotland, with many ‘bounce back to netball’ teams bringing people back to this sport as adults, and the international netball of today is maybe a bit different to the netball we all remember from school.

Treagus (2005) has argued that in the early 20th century netball taught girls how to ‘play like ladies’, i.e. with ‘restraint’ in their sporting efforts, and a reserved physicality. This is not what we’re seeing today. The rules of the game haven’t changed much but the women and girls pushing this game forward are aspirational and confident rather than reserved, and, testament to their efforts, they have been nominated in the ‘Governing Body of the Year’ category for the Team Scotland Awards.

So the panel discussion centred on the vision of how to make netball the first choice sport for women and girls in Scotland. I started off the panel discussion by focussing in on the issue of what it means for a sport to be the first choice for women and girls – what does that actually mean in today’s society?

There is plenty to note about the issues we have in Scotland trying to get teenage girls to be active, but what I wanted to stress here was what is required for a sport to be the first choice for an adult woman in Scotland today, especially given the growing success of ‘bounce back to netball’ and high numbers of adult women returning to the sport. If you have a life that is already ‘full’ of childcare responsibilities, work responsibilities, family responsibilities, social responsibilities, where is the space for sport? In my book I note that 1970s Britain was a place where women still maintained the bulk of any childcare responsibilities and this therefore had a key impact on their sport and physical activity participation rates, or their ability to juggle these childcare responsibilities:

“These continuities in exercise experiences [from the 1930s to the 1970s] can be attributed to the lack of public funding to support development of both public sports facilities and sport in schools, and the persistent nature of gender relations in the household, which, whilst changing gradually throughout these years, still defined women as mothers first and foremost and the primary caregivers in the home.” (Macrae, 2016)

Has much changed today? At our feminisms conference a few weeks ago Zoe Fairbairns, and the majority of our speakers, reflected on how far we’ve come with feminism, but certainly also how far we still have to go.

There are numerous social changes that still need to be addressed if we are to develop equality in sport, and maintain the inclusivity of the ‘sport for all’ mantra that was the original 1970s policy focus for British sport. My point to Netball Scotland was that they have a real opportunity to shape and promote their sport as one that recognises the barriers still faced by women and girls in sport today. They can try and work around these barriers, offering something different as a sport for women, until we have more balance in wider society that frees women to engage in sport all throughout their lives without gendered barriers.  I hope Netball Scotland, and all those working in sport today, can rise to the challenge.

Eilidh Macrae (University of the West of Scotland)

A day of culture – Raymond Depardon and Women’s Peace Banners at GWL (18 June 2016)

A few weeks ago (Saturday 18 June) my daughter Sylvie and I had a wee day of culture in Glasgow city centre.

Raymond Depardon, Glasgow, 1980

First off was a trip to see ‘Govan to Gdansk’ at Streetlevel Photoworks. This exhibition featured the work of Raymond Depardon, whose photographs of Glasgow in 1980 (an assignment commissioned by the Sunday Times) were never published. Well, until now. The photographs have received a great deal of attention and I’d looked at them online.

It was good to see the photographs displayed full size at Photoworks. Obviously there wasn’t space to display all seventy-five, but it was unclear why the images displayed had been selected (in saying that, I didn’t have time to read all the displays as I had a five-year-old with me). The photographs show both men and women, boys and girls. But, for me, the images of women are the most evocative (probably because I can remember Glasgow in the 1980s and shopping trips with my mum ‘up Glasgow’).

Through Depardon’s photographs we get a sense of what it was like to live in Glasgow in the early 1980s, what the city looked like and the results of the city’s slum clearance programme. This should have been completed by 1980 (according to the city’s quinquennial plan of 1961) but building work and demolition continued well into the 1980s. But against this background we see women pushing prams, girls in brightly coloured dresses, children playing and teenagers hanging about.

Source: ©Raymond Depardon, Glasgow, 1980, Magnum Photos.

The exhibition runs until the 31st of July and I would highly recommend a visit if you are in Glasgow. You can also view the images online and of course you can buy the book.


Women and the peace movement, Banner Tales at Glasgow Women’s Library

After lunch, it was on to Glasgow Women’s Library to see some of Glasgow Museum’s peace banners displayed at Glasgow Women’s Library as part of on ongoing project Banner Tales, a joint endeavour by geographers Johnnie Crossan and Dave Featherstone at the University of Glasgow and Glasgow Museums.

As is the case it all Banner Tales events, it’s great to see a piece of history on display and think about the people, organisations and communities that produced the banners, what causes they were promoting and why. But the real strength of these events is that those attending have the opportunity to hear first hand from these people, whether they made the banner, carried them at a protest or have some connection to the organisation or cause depicted.

At this event we heard from Magi Sale who organised the peace march in Scotland in 1982 and saw a display of photographs from the march. It was really enlightening to hear about her motivation for organising the protest, the effects it had on her own family (her ex-husband, while sharing her views, wasn’t so keen on her activities taking her away from home) and the long-term implications it has had in her life.

While Magi spoke, Sylvie read a bit of a book on the campaign for women’s suffrage from the display which seemed particularly appropriate for a trip to Glasgow Women’s Library. She soon lost interest and we had to leave Banner Tales early and missed the Govan Allsorts Community Choir (always excellent – if you ever get a chance to hear them).

I’m hoping this is just the beginning of Sylvie’s interest in women’s history – well, to be fair, she doesn’t really have much choice!

(Just in case you are wondering Sylvie has read over and approved me writing about her in this blog)

Keep an eye on the Banner Tales website, women’s history always features in their events.

(Valerie Wright, University of Glasgow)